#Race Films

[hollywoodcomet]

Musical Monday: Beware (1946)

It’s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals. This week’s musical: Beware (1946) – Musical #782 Studio: Astor Pictures Director: Bud Pollard Starring: As himself: Louis Jordan Other performers:…

[voidpumpkin]

seeing analyses of nimona is fun because they have really good insights and are analysing every inch of this movie but in virtually all of them there is a gaping hole where the very obvious messages and metaphors in regards to race and racism in this film lay.

Like tell me, do you believe the story of a brown man, brought in by a black woman in an attempt to fix the systemic issues in a system where ancestry is valued over merit, is framed for the murder of said black woman by a white woman who is fueled by paranoia that a black woman’s efforts might upend the system, the supposed threat this brown man and of dangers that don’t exist and a desparation to fulfill the legacy of a white woman who is a literal metaphor for the way bigotry is taught (in particular homophobia/transphobia). And thus the brown man is villanised for something he didn't do and is forced to find support and companionship in another victim of the system, with this story ending with the white woman willing to destroy everything than let the brown gay man and a trans girl change the system/her mind, has absolutely no racial implications or messages surrounding race.

[copypastus]

Fandom is about smacking the dolls you like together like they're kissing coz it makes you happy, it's not that serious.

Reposting someone's work to ridicule it coz you don't agree with the pairing is bad etiquette.

@praetorqueenreyna silly hat Rhys inspired me @lorcandidlucienwill hope i can make you smile with this

[skitskatdacat63]

"Fernando" S1E4 - Fernando Alonso & Carlos Sainz Sr.

[hertwood]

logan and alex in upcoming indie film michelob ULTRA lap of legends

[wallpapedits-vvc]

Moodboard wllpprs 🎞️ pt. 8

Like/reblog/comment if you save ✨

Edits by me. Credits of the original photos to their respective owners.

[teethburied]

Speed Racer 2008, dir. Lana Wachowski, Lilly Wachowski

[dayas]

This post contains spoilers for Wicked (2024) and the Broadway musical!

A word on Cynthia Erivo’s performance as Elphaba in Wicked: Phenomenal.

In regards to the critique that she plays her too timidly: in my opinion, she plays her exactly as she is meant to be played. Watching Elphaba navigate Shiz University was so clearly a parallel to how Black women have to operate in Predominantly White spaces. Every single time her powers went out of whack, she was labeled as dangerous, and at the end, the Wizard and Madame Morrible immediately painted her out to be monstrous, vicious, and angry. Seeing her poster produced a visceral reaction in me — not because it was terrifying, but because it reminded me of those old fashioned racist posters 💀 which! Isn’t a bad thing, I think it speaks to the larger message of making Elphaba out to be the Wicked Witch, despite her only crimes at that point (that we know about) being attempted Animal Liberation and further Civil Rights movements. To me, watching Elphaba at Shiz was watching another Black woman try to fit in despite knowing she will never truly be like those around her, and to not draw any more of their ire and to not fly off the handle and be labeled as ‘angry’ or further outcast. When she sings I’m Not That Girl, it hits harder having been in that position and truly understanding what it means to not be desired or considered pretty or beautiful by anyone around you while your friends are. Honestly, it adds more in my opinion. I think Cynthia Erivo’s performance carried an excellent nuance that speaks specifically to Black women and our experiences. While it is perfectly okay to have a differing opinion, it would be a major disservice to overlook that very intentional lens painted by the film. As many have noted, having Elphaba be played by a Black woman adds so much depth to the character. It also shifts and adjusts how she presents herself when her Broadway and Book counterpart may be considered bolder (which begets a whole other essay on White Women, oppression Olympics politics, and needing elements of Whiteness to appear in oppressive narratives for the sake of ‘relatability’ despite them coming off, in my opinion, more disingenuous than not). All of this to say: Elphaba is still fierce in her own right. She stands up for herself, sets her own terms, but she does so within the realm of what is socially acceptable for a reason. I’m gonna need y’all to think a little more critically ❤️

[videoreligion]

Death Race 2000 (1975)

[frozen-seagrass]

The WALL-E au no one asked for

[11oh1]

[hollywoodcomet]

Musical Monday: Junction 88 (1948)

It’s no secret that the Hollywood Comet loves musicals. In 2010, I revealed I had seen 400 movie musicals over the course of eight years. Now that number is over 600. To celebrate and share this musical love, here is my weekly feature about musicals. This week’s musical: Junction 88 (1948) – Musical #766 Studio: Century Theatrical Productions Director: George R. Quigley Starring: As themselves:…

[britney-rosberg06]

two siblings btw

[humanoidhistory]

Japanese poster for Death Race 2000 (1975)

[giftheplanet]

[newyorkthegoldenage]

Director William Perlberg and Tony Curtis in Times Square, where they were shooting the film "The Rat Race," September 27, 1959.

Photo: Hans von Nolde for the AP